I have often told my kids that it’s not what we say but how we say it that matters. In every instance, I have been referring to how we speak to others. I realized recently, however, that the same guidance also applies to how we speak to ourselves. Imagine some critical remark we say to ourselves being said to someone we love. I would never want to hurt someone I love by speaking unkindly. I love myself, too, so monitoring how we speak to ourselves is equally important.
Hannah Wilke was part of the first generation of feminist artists. While she created a diverse body of work, her primary subject was herself. She used her own beauty as a source of power, and her early works featured her gorgeous face and naked body. Wilke continued to turn the camera on herself as she fought cancer, including her Madonna-esque self-portrait post-mastectomy, titled Intra-Venus (1994). She knew she was more than just her beauty, yet simultaneously used the effects her beauty had on others to drive difficult, important conversations.
Hannah Wilke
July 26, 1992/February 19, 1992: #4 from INTRA-VENUS, 1992–93.
Two panels: 71 1/2” x 47 1/2” each
Chromagenic supergloss prints